California artist Kai Samuels-Davis begins to create his creations, drawing a simple circle or a light sketch on which the face of the painting is then built. His strokes are linear and always filled with large color tones.
His technique is different from classical portrait painting, visible and invisible images take shape only with each subsequent stroke on the canvas.
Concentrating on the abstract, the artist is able to transfer us to the expressive image of his portraits, filled with emotions and feelings of people. But it is always incompleteness, “unfinishedness” in colors makes the viewer dive into his works, forming his own narrative of every gesture and bright brushstroke.
Oddly enough, the artist himself has been working on his portraits for a long time. Samuels-Davis himself is faced with an internal struggle between the background and the subject, painting in pieces, in small pieces, collecting his work practically according to the strokes, thereby reaching the volume and scale of his work.
His next stroke is the answer to the previous one, because even he does not know what the next color will be. It is the same as the philosophy of the world, without the past there is no present, and the present, which is based on the tenets of the past, forms our future.
No gloss and final aesthetics, he does not lay in his work. The painting is first of all the inner world of the artist and the point moments of vanity and life, the collisions of the opposite poles of the world.
This publication is based on thisiscolossal.com.
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